


The upgraded hardware has also allowed the pre-roll record buffer to be increased to 10s on all models, and they all now support 192kHz recording. And in addition to the standard factory mode, the limiters can now be switched into a customised operation, allowing the Ratio, Threshold and Release parameters to be adjusted (custom settings are remembered once set). The machines' user interfaces and control functions are also more or less the same across the range - but there are a few welcome enhancements and new features.įor example, a new automatic copying facility duplicates the data recorded on the internal SD card directly to an external USB thumb-drive inserted into the machine's USB-A port. From a user's point of view, these three new 'second generation' machines (the MixPre‑3 II, MixPre‑6 II and MixPre‑10 II) all appear more or less identical to their forebears in terms of their physicality and core capabilities: the MixPre‑3 II is still an astonishingly compact unit with three Kashmir preamps and five recording tracks the slightly larger MixPre‑6 II still has four preamps and eight tracks and the flagship MixPre‑10 II model still has eight preamps and 12 tracks.
#Equalizer settings adobe premiere 6.0 portable
Sound Devices' superb line-up of MixPre portable recorders has only been in production for a couple of years, but the company have already given the entire product range a substantial make-over, with all-new and significantly more powerful and capable internal hardware. Can this next generation of location recorders improve on the highly capable range that went before?
